Wednesday, February 15, 2006

Time Machine

This post brought to you by Friendster, where two friends from way back contacted me:

I remember the first time I seriously went record shopping. And by this, I don’t mean scampering into my local Strawberries to buy ACDC, Van Halen and ogle 2 Live Crew as to think my mom wouldn’t go all Tipper Gore on it. I actually bought the third NWA tape though I don’t know how. I was turned on way more by the parental advisory sticker than by Easy E and MC Ren don’t matterin’ and just don’t bitin’.

It was around 1991, and my brother and I were in Harvard Square after a session at ZT Maximus (does that place still exist? Can our Mass. friends confirm this? It’s across from Alewife between the gigantor apartment buildings). There was some freak folk guy playing on the sidewalk, and we had just stopped into The Gap to say hello to a childhood neighbor who had it made. Well, we were 14 and she was 22 and almost out of college and free. That is having it made. Much more than trying to convince my friend Darrell Jermain to hit on Meg Gorman, whom I secretly thought should want me. Yeah, 14 going on Melrose.

Then we went on to HMV. It was as if a portal to my future had opened up. I remember looking for Nine Inch Nails, Jane’s Addiction, Souxie and the Banshees, Red Hot Chili Peppers, and a ton of other bands I had heard of through my sister. This was when I still held out on CDs, so it was strictly tapes for me. I looked hard as I could for McRad, but couldn’t find it anywhere. Mulling through a hardcore punk section was like experiencing a new gravity for me. One that I would never truly adapt to, even still. But no McRad.

I settled on two free cassingles: World Party: All Over The World and U2: Mysterious Ways… both of which became fodder for my initial forays into songwriting, taping over them with my own material.

Friday, February 10, 2006

Rock in the Chocolate City

Thank you everyone for coming out to our show the other night. We made some new friends, and hopefully in the process we didn't alienate the old ones! So many people! For those who stuck around for Zero Beat, thank you. We are not U2. We were not a U2 cover band. We just got the jones. Did you know that was the first time we played together in 18 months? Did you know "Until The End of the World" only existed as an idea on email until we played it together for the first time on stage? Wow.

James O'Brien is awesome. I potentially put him in an uncomfortable spot, what does he do? He says no worries, and that what I had said was nice. Note to self: when someone inadvertantly puts me in a strange spot, be as selfless as James. He could have really made me feel like more of a jackass than I already did.

Mixing went well with Nick. 2 down, 10 to go. Brice Woodall laughed when I told him a year ago we were nearing completion. His words: that's only 1/3 of the process! Mixing takes forever! Unfortunately we mixed one of the songs Brice was going to sing on, good thing is that he couldn't make it because he lives in Chicago now, and the tides have been kind to our brother-in-arms.

Check out Gorillaz b-side "Hong Kong," wow, what depth this collaboration has between Danger Mouse and Automator. Fictional bands can do anything! Might I suggest if you want to write songs or a band, don't think of it as you, but write for some character, how the band is "supposed to sound" not actually sounds. That's a trick I learned for the record MFA is mixing now. It is the cure for writers block.